Louisiana metal powerhouse, BRAT, will release its new LP, ‘Manslayer‘, on September 25 via Prosthetic Records. BRAT‘s eagerly awaited sophomore album, ‘Manslayer’, was tracked at Chicago’s Bricktop Recording, produced, engineered, and mixed by Weekend Nachos’ Andy Nelson, and mastered by Brad Boatright (Deadguy, Pig Destroyer, Lathe of Heaven) with maximum weight and minimum mercy. The follow-up to BRAT‘s 2024 debut, ‘Social Grace’, ‘Manslayer’ features 17 tracks of primitive death metal, garroting thrash, and swamp-drenched hardcore for devotees of the darkest reaches of the underground.

In advance of the release of ‘Manslayer’, BRAT drops the retaliatory new track, “Trophy Hunting“, which vocalist Liz Selfish says centers around reactive abuse.

“Carrion Birds On The Ark” is the latest single from self-proclaimed post-skramz architects DREAMWELL. The riotous new hymn comes by way of the band’s Hymns For The Denial Of God full-length, set for release on August 28th via Prosthetic Records.

Cymbals nervously skitter, feedback pinches, and a menacing bassline sets the tempo for “Carrion Birds On The Ark.” Power chords groan beneath vocalist Keziah “KZ” Staska’s possessed delivery of a jarring singalong, “There’s a Virgin Mary water stain in the missing children’s poster.”

Louisiana metal powerhouse, BRAT, will release its new LP, ‘Manslayer‘, on September 25 via Prosthetic Records. BRAT’s eagerly awaited sophomore album, ‘Manslayer’, was tracked at Chicago’s Bricktop Recording, produced, engineered, and mixed by Weekend Nachos’ Andy Nelson, and mastered by Brad Boatright (Deadguy, Pig Destroyer, Lathe of Heaven) with maximum weight and minimum mercy. The follow-up to BRAT’s 2024 debut, ‘Social Grace’, ‘Manslayer’ features 17 tracks of primitive death metal, garroting thrash, and swamp-drenched hardcore for devotees of the darkest reaches of the underground.

Ironically for such a violently heavy band as BRAT, a lyrical influence that helped shaped ‘Manslayer’ was country music. More specifically, BRAT vocalist Liz Selfish gleaned inspiration from its songs about women’s revenge, in which they took their power back and left the lifeless bodies of the men who wronged them in their wake. Take “Goodbye Earl” by The Chicks, “Before He Cheats” by Carrie Underwood, or “Gunpowder & Lead” by Miranda Lambert. They were metal as hell without even trying to be. Shock-inducing album artwork by Wes Benscoter (Mortician, Slayer), hammers home Manslayer’s macabre motif.

The first warning shot in BRAT’s counterblow brigade is the new single, “Manslayer (Hell Hath No Fury)” and its accompanying music video, directed by John Colgan.